Rites, Rights and Rhythms: A Genealogy of Musical Meaning

Rites, Rights and Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific Colombia has the largest black population in the Spanish speaking world, but Afro Colombians have long remained at the nation s margins Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia s majority black Southern Pacific region, often called currulao Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importanceRites, Rights Rhythms A Genealogy of Musical Meaning in Colombia s Black Pacific is the first book length academic study of currulao, inquiring into the numerous ways it has been used to praise the saints, to grapple with modernization, to dramatize black politics, to perform the nation, to generate economic development and to provide social amelioration in a context of war Author Michael Birenbaum Quintero draws on both archival and ethnographic research to trace these and other understandings of how currulao has been understood, illuminating a history of struggles over the meanings of currulao that are also struggles over the meanings of blackness in ColombiaMoving from the eighteenth century to the present, Rites, Rights Rhythms asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth century national populism, and neoliberal multiculturalism What emerges is both a rich portrait of one of the hemisphere s most important and understudied black cultures and a theory of history traced through the performative practice of currulao


About the Author: Michael Birenbaum-Quintero

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